Hiatus kaiyote the lung lyrics
“I still get choked up when I play this live.” And “Get Sun,” featuring Brazilian musician Arthur Verocai-the first single from their third album-finds light in the darkest places. He died when I was young, a few years after my mother,” Nai Palm says. “‘By Fire’ is a burial song for my father. “Even if I’m covering thematics that are quite personal and raw and potentially traumatic, it’s always my intention to have a component of hope, or of the wisdom gained from your trauma,” she says. There’s an innate spirituality throughout Hiatus Kaiyote’s albums, as well as tenderness, empathy, and hope. And these little gestures are important.” It’s not a valiant proclamation of love for someone, but it is a form of love. There’s a lyric, ‘I could call your demons inside, soak them in chamomile.’ That's about the form of love where if you have a homie who’s upset or anxious or whatever, your love can be in the simple gesture of making them a cup of tea. “I wanted to write about the different forms of love that can exist. “The only representation gets in a lot of songwriting is romantic love,” Nai Palm says. The Grammy-nominated track “Breathing Underwater,” for example, reimagines the classic love song. The band approaches even the simplest concepts with an intent to create something new and entirely unique. They’re warm, inviting, and alive, while Nai Palm’s poetic, often metaphorical lyrics, which tend to connect personal experiences to the natural world, are brought to life through her singular vocals. The instrumental composition of each track often feels impossibly detailed, but that’s not to say it’s intimidating. “Each song is its own little universe,” Nai Palm says. Paak are just some of those who’ve sampled their songs. The band’s first two albums weren’t just nominated for Grammys, they were fawned over by icons like Prince, Questlove, and Erykah Badu, while Drake, Beyoncé, JAY-Z, Kendrick Lamar, and Anderson.
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“But it’s like when you watch a movie you love and then you watch it again after a while, you always notice something new.” The songwriter’s comparison is on point: The Melbourne group-who you could describe as future-soul/jazz/R&B, or, in their own words, “multidimensional, polyrhythmic gangster shit”-make intricate, expressive music, as enveloping as it is complex. It's like these musicians simply radiate the stuff.“I think a lot of people miss all the details,” Hiatus Kaiyote’s Nai Palm tells Apple Music.
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Equally remarkable is that none of it seems devised. Within the context of a playlist, any one of a dozen songs here could bridge '50s bop to '60s MPB, or '70s art rock to '80s boogie, or '90s neo-soul to 2000s dubstep. Progressive-eclectic DJs like Gilles Peterson, Garth Trinidad, and Carlos Ni¤o could not have dreamt them up. As out-there as the material gets, rich highlights such as "Laputa," "Borderline with My Atoms," and "Breathing Underwater" are thoroughly winsome, cast in warm light. Its significance is easy to miss through the battle-theme opening, frenetic mass of swirling/zipping synthesizer action, and octopedal drumming. She gets more personal on late 2014 A-side "By Fire," a burial song inspired in part by her father's house-fire death.
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The lyrics of athletic vocalist and guitarist Nai Palm, dizzying on their own, mix natural, supernatural, and technological subjects and are delivered in an array of styles. Considering five fragmentary interludes of varying consequence and so much nonlinear structuring within the proper songs, Choose Your Weapon isn't always easy to follow. Vocal melodies and guitar wriggles sneak up and tickle the ears, burbling electronics mingle with spiny acoustic guitars, time signatures abruptly switch and stun. From track to track, one ingenious idea trails another. The band refines and broadens its attack. Seventy minutes in length, it can be split in half and taken as two volumes that surpass what preceded it. In some ways - literally, for example - Choose Your Weapon is twice the album. Tawk Tomahawk provided a lot to absorb in its 35 minutes. The move worked, at least with Recording Academy voters, who nominated that version for a 2014 Grammy in the category of Best R&B Performance. The young Australian avant-R&B quartet needed it more for visibility than for credibility. When Tawk Tomahawk was picked up by Salaam Remi's Flying Buddha, the label added a bonus version of "Nakamarra" - the album's most direct, traditional song - with a Q-Tip guest verse.